


Influenced by the name of the North American band Johnny And The Hurricanes, Remu Aaltonen devised the name for his own band. Hurriganes was founded in 1971 in Pohjois-Haaga, Helsinki, where a similar rock band Jig-Saw played.


1.8 Louhivuori the new guitarist (1981–83).1.7 Kallio changed again to Järvinen (1979–1981).1.2 Rock and Roll All Night Long (1972–73).Kallio temporarily quit the band in the spring of 1972, being replaced by guitarist Pekka "Albert" Järvinen who was part of the band's most famous line-up. The founding members were drummer and vocalist Henry "Remu" Aaltonen, bassist Hugo Christer "Cisse" Häkkinen and guitarist Ilkka "Ile" Kallio. In this sense, Hurriganes can be viewed as Finland's answer to British pub rock performers of the 1970s like Dave Edmunds and Dr. During their "classic" period, the band's output consisted largely of revved-up cover versions of well-known 1950s rock 'n' roll songs, in addition to their own original material. Their style of music is very much of a nostalgic, pre- Beatles, roots rock'n'roll orientation. The misspelling of the name ("Hurriganes" with a "g") is intentional. Their classic line-up consisted of Remu Aaltonen, Albert Järvinen, and Cisse Häkkinen. They were very popular in Finland, Sweden and Estonia in the 1970s and early 1980s, as well as a popular live act in Sweden during this time. Hurriganes was a Finnish rock band that was formed in the early 1970s. A string of successful albums saw them bracketed alongside U2, The Waterboys, Simple Minds and Big Country as part of Eighties rock's distinctive Celtic fringe.Rock, rock and roll, blues rock, rhythm and blues, hard rock The back of the singles Unsafe Building, The Stand, Sixty Eight Guns and Where Were You Hiding When The Storm Broke?, their music a passionate blend of amped-up acoustic guitars, harmonica and Mike's stirring voice. Formed in 1981 in the Welsh seaside resort of Rhyl, the original band of Peters, Dave Sharp, Eddie MacDonald and Nigel Twist broke through on EQUALS is the latest chapter in an inspirational story that has seen The Alarm sell six million albums while clocking up 17 Top Fifty singles in the UK. With Mike and Jules joined by Joe Strummer & The Mescaleros drummer Smiley and guitarist James Stevenson, who cut his teeth with Chelsea, Gen X and The Cult, the album encompasses twin harmony guitars, pounding drums and electronic layering, while guest guitarist Billy Duffy (The Cult) helps Peters and Stevenson blend acoustic and electric sounds on Coming Backwards.
HURRIGANES DISCOGRAPHY TORRENTS TORRENT
All I had were these incredibly strong feelings that I found myself putting into words and writing down onto my phone without even thinking they might form the basis for songs." Produced by George Williams (who previously worked on 2005's Under Attack), EQUALS opens with a torrent of epic rock numbers such as Two Rivers and Beautiful, which see Peters singing about coming to terms with the past before moving to enjoy life to the full. I didn't set out to write about what we were going through. "I learnt a lot about myself and my relationship with Jules, and it's all there in the music. "The songs were built out of what I had become," says Mike. The emotional repercussions, though, are all too evident in the spirit of life-affirming optimism in the face of adversity that runs through EQUALS. All band activity was put on hold as the pair underwent treatment and it is only now, with both in remission, that The Alarm are firing on all cylinders again. To compound an already terrifying situation, Jules, who plays piano and sings backing vocals, was diagnosed with breast cancer just after. Having recovered from lymph cancer in 1996, Mike was diagnosed with a rare form of leukaemia in 2005 and, after an initial recovery, he suffered a relapse in 2015. It is a barnstorming collection of 11 songs that act as a retrenchment of old values and a poignant reflection of the tough times Mike and his wife Jules have been through in recent years. EQUALS is The Alarm's first album since 2010's Direct Action.
